Opening Reception: Sunday, September 7, 2-4pm
PARTICIPATING ARTISTS Esperanza Alzona, Joanathan Bessaci, Matthew Duffy, Gale Friedman, McCleary Gallagher, Judith Goodman, Barbara Januszkiewicz, Joshua Prince, Lynda Smith-Bugge, and James Wysolmierski.
Juried by Zoma Wallace
The ARTINA exhibition series, now in its 9th year, is an ongoing partnership between Washington Sculptors Group and the Sandy Spring Museum that invites social engagement with the environment through participation and collaboration. Artists are encouraged to envision interactions in the museum’s landscape by engaging visually and physically with nature.
Juried by Washington, D.C.–based artist and arts professional, Zoma Wallace, the exhibition invites artists to respond to a world that feels increasingly disoriented and unstable. Wallace's curatorial statement challenges artists to reflect on the confusion of the present moment—where what was once certain is now in flux, and societal norms seem to have flipped. Through sculpture, installation, performance, and sound, artists explore ideas of inversion and reorientation from many angles: geographic, psychological, political, and material.
The exhibition embraces the carnivalesque: a space of disorder and delight, irony and satire, surreal and absurdity. It invites interpretations ranging from playful to profound, silly to serious, uncanny to critical. Upside Down, Inside Out offers a space for artists and viewers alike to question the status quo, challenge fixed positions, and navigate shifting paradigms with creativity and curiosity.
Past exhibitions include: A Point of View, juried by Nehemiah Dixon III (2024); Queering Nature, juried by Stephanie Mercedes (2023); A Space in Place, juried by Natalie Fulgencio-Turner (2022); Balancing Acts, juried by Twylene Moyer (2021); Light, A Sculptural Solar Dance, juried by María Gabriela Mizes (2020); Introspective, juried by Cecilia Wichmann (2018); (Re)Use and Abuse of the Land, juried by Ursula Achternkamp (2017); and Art in Nature, juried by Martine Van Kampen (2016).
